About Dot Bunn


 

Dot Bunn is a full time studio painter, teacher, lecturer working in traditional methods of painting using 21st century tools. A life long resident of Bucks County, her award winning work has been exhibited at juried shows throughout Pennsylvania, New Jersey and New York. She is the recipient of numerous awards, twice winning the Patron Award for Best Painting at the Phillips’ Mill Juried Art Exhibition (2004, 2007). Dot was honored to have four of her figurative paintings selected by Philadelphia/Tri State Artists Equity Association to hang in their Select Exhibition. This special curated exhibition presented a more in depth look at an artist’s work that is not possible in a juried show. She has had four one woman shows in the past four years.

“Upon graduating from high school I was not able to immediately attend art school but during my years of raising a family I took classes at Bucks County Community College and studied with individual instructors. Although this kept me involved with creating art, there was always the feeling that there had to be more to great painting than the hit or miss method.  Because I had some success in competitions and marketing my work I decided in 2003 to paint full time. I worked in my studio everyday for six to eight hours painting and reading books on the techniques and philosophy of art. Eventually I realized that I needed more training so that I would have the tools to self critique and carry my work further. With the help of Myron Barnstone, I began to realize how much more there is to achieve and how exhilarating it is to understand color and composition the way the great masters of art applied them. This process is never ending but the journey is so much more rewarding with this information. I continue to study with Mr. Barnstone to this day.” quotes Dot. She continues, “As a full time studio painter I believe that the most important part of creating a good painting is the planning that takes place before color ever touches the canvas. My process involves making deliberate choices starting from the point of selecting an image through composition, color choices and execution of the actual work.”

Dot’s Classical work is inspired and influenced by painters of the old Paris Salon; Sir John William Waterhouse; William McGregor Paxton; Cecilia Beaux , John Singer Sargent and Rosa Bonheur. She combines the traditional studio methods taught at the old Ecole des Beaux Arts with a thorough knowledge of natural light using a rich, chromatic palette of modern colors. She is Impressionistic in that her work is "painterly" and emphasizes naturalistic lighting. She depicts the world as it is without a great deal of idealization.

For Dot, art is a science that requires practice and skill building just as in music and literature. Creativity with the foundation of solid construction and color usage is what great art is about. Kenyon Cox stated “Without design there may be representation but there is no art”. This is a motto that is written across her studio wall. Dot believes that a great artist is not purely self taught nor is art the result of mindless emotional expression. The greatest artists studied for years to acquire their skill in drawing and composition.

Dot paints landscapes and figurative work but her focus is always on the process of making a work of art, not on making a picture. She enjoys the challenge of building a composition that works two dimensionally while depicting reality. Dot says, “For me it’s as much about the process as it is about the emotional message. First the subject has to excite me. The rest is like composing a symphony or writing a novel. The battle is won or lost by how well trained you are and how creatively you can engage those skills. I work everyday and it is a real joy.”

 

Classes and Workshops –

Dot believes that a solid understanding of how color works is essential to consistently mix clean colors. With modern technology continuing to produce new and clearer pigments, it is becoming more and more important that the painter of today know the colors with which he or she works. Color schemes are key in maintaining consistency, yet few artists investigate a scientific process before developing their color palette. She teaches “Understanding Color and the Art of Color Mixing” a course designed to equip you with the knowledge to creatively explore color. Contact her at dotbunn@aol.com for dates and locations.

 

Using Color Successfully in Oil Painting – 3 day workshop in Bucks County, PA – Spring 2009

This information packed workshop is for painters wanting to learn color mixing for consistent success. Course will involve slide and DVD presentations, demonstrations in color mixing and studio painting under the direction of noted colorist and award winning artist Dot Bunn. She will share tips on her use of camera and the computer for compositional planning and screen reference for the studio painter.  Dot will introduce her unique method of controlling color for clarity and harmony of tone. Emphasis will be on color mixing to achieve accurate values without muddy or dull results. Students will work on a small painting to practice the techniques that have won Dot acclaim.

For dates and location of this workshop visit –  www.buckscountyartworkshops.com

 

Teaching Philosophy

My students range from inexperienced beginners to more advanced experienced painters. This being the case I try to work with each student individually according to his or her abilities. Each student is encouraged to pursue subject matter and style they feel most comfortable with from portraiture to still life and landscape, in a realistic style or more abstractly. I stress basic principles of color, composition and value, which are applicable to a wide range of approaches. I try to help you find your painting 'voice' and to develop it into a fluent painting language. Demonstration of various principles and techniques will also be part of the class. My classes are designed so that new skill can be learned and already acquired ones can be developed in a relaxed, non-threatening atmosphere.

 

Recent Exhibition Awards:

Artsbridge 14th Annual  Juried Show, Overall Best in Show, Marty, 2008

Annual Byers Bucks Fever Art Exhibition, 2008  – Spring on Haring Road and Snow on River Road

Coryell Gallery, Annual Juried Exhibition, Painting Award, Summer by the Canal, 2008

Phillips' Mill, Annual Juried Art Exhibition, Patron Award for Painting, The Seamstress, 2007

Phillips' Mill, Annual Juried Art Exhibition, Patron Award for Painting, Carolyn’s Room, 2004

SEQ CHAPTER \h \r 1Wayne Art Members Show, Honorable Mention, 2007

Berks Art Alliance 30th Juried Exhibit at The Reading Public Museum, Second Place Overall, 2007

Salmagundi Annual Open Non-Member Juried Exhibition, NYC, Jack Richeson Award, 2007

Artsbridge 13th Annual  Juried Show, Honorable Mention, 2007

Visual Passages, A Juried Exhibition, First Place Oils, View of the Canal, 2007

Coryell Gallery Juried Exhibit, Beverly Fuller Garnett Award, Rainy Day at the Boathouse, 2007

Cheltenham Art Center Members Exhibition, Weiss Memorial Award, Sock Monkey Magic, 2006

Artsbridge 12th Annual  Juried Show, Overall Best in Show, Baker at Tabora, 2006

Tinicum Arts Festival, First Place Oil Painting, Spring at Phillips’ Mill, 2006

Phila/Tri State Artist Equity, Members’ Exhibition, Board of Directors’ Best of Show Award

Cape May County Art League, 10th Annual Juried Fine Art Show, Bronze Award, 2006

Friends of the Delaware Canal Juried Art Exhibit at Howard Gallery, Honorable Mention, 2006

Cheltenham Art Center 64th Annual Awards Painting Exhibition, Honorable Mention, 2006

Coryell Gallery, Twenty-sixth Annual Juried Exhibition, LDP Consulting Group Award, 2006

Phila./Tri State Artist Equity, Fall Exhibition at The American College, Honorable Mention, 2005

Tinicum Arts Festival, Best in Show, American Soybeans, 2005

53rd Central Adirondack Art Show, First Prize in Oil, Sky in the Open Field, 2005

Berks Art Alliance 28th  Juried Exhibit at The Reading Public Museum, Honorable Mention, 2005

Phila/Tri State Artist Equity, 56th Anniversary Exhibition, Elaine Alber Award, 2005

Sedgwick Cultural Center, Juried Exhibition of Artists, First Prize, The Homestead, 2004

North Penn Arts Alliance, Members' Exhibition, Award for Best Oil Painting, 2004

Adam Styka Juried Art Exhibit, Emilia Piasecka Award, 2004